I first wondered if Max Allan Collins, in his Nate Heller books, would ever take on the JFK assassination after reading a short story of his called "Scrap," sometime back in the '90s, I think, where there appeared a character named Jake Rubenstein who, Heller says, later started going by "Jack" and changed his last name to Ruby.
Well, we finally have that book with Ask Not, which is actually the third in his "JFK Trilogy" starting with Bye, Bye, Baby and Target Lancer. I knew we were in for a whopper with the revelations in Target Lancer, and Ask Not delivers a cracking follow-up that I can't really talk about less I spoil things. Just read it. You don't need to have read the others.
What I like about the Heller books is that Collins, I think, gets the truth behind some of the greatest mysteries of the 20th century correct despite the fictional license he admits taking. Most of the solutions are simple, devoid of the tinfoil hat crowd's preferred boogeymen, and that gives the stories a credibility the other theories lack.
Collins' take on the JFK killing gives a nice twist on the usual suspects and makes one realize that the answers have always been in front of us but too much clutter hid the killers in plain sight. Wonderful book. If the Heller series ends here, it's been a heck of a run, but in the back of the book Collins suggests there may be a few more adventures ahead. Please, Max, don't make us wait nine years for the next one!
I named my site BrianDrake88 because, one time, I owned a 1988 Corvette. What will I do when I buy a 2019 Corvette? Read on for author interviews and other stuff....
Wednesday, January 21, 2015
Thursday, January 1, 2015
Gerard de Villiers Comes to America
I first discovered Gerard de Villiers' Malko Linge series in the '90s when I found a Pinnacle paperback of West of Jerusalem at the library that had been printed in the late '70s. Here we have a French author writing about an Austrian freelancer for the CIA. It was a quick read, little of it remains in my memory, and I never found another one. Flash forward many years later, and Vintage Crime is bringing out new translations of de Villiers' work, starting with The Madmen of Benghazi and Chaos in Kabul. As of this writing, three more will follow. With over 200 titles in the Malko series, there are certainly many more they can translate should the market
demand.
De Villiers' appearance in the U.S. back in the '70s reprinted around a dozen Malko books, which you can find used at a variety of high prices.
I hope there is a demand for more, because The Madmen of Benghazi, if the translation is true, shows de Villiers as a crisp writer, who plots tight and keeps the pace moving without a lot of description to slow you down. The scenes feel a little hollow because of that. It would be nice to know what kind of room two characters are talking in. You'll read that Malko enters an office to pow-wow with a CIA honcho, but that's about it. The rest of the scene is all dialogue. It works. The pages keep moving. De Villiers loved to throw in a lot of graphic sex that would certainly bring his books an XXX rating were they subject to the same scrutiny as films, but, after all, he is French. . . .
De Villiers is said to have had so many close contacts in the intelligence community that his books are full of inside information. I suppose that's true. Unless somebody points out those details, though, they fit so seamlessly into the narrative that it might as well be hyperbole. His book don't read any better than any American or British author; if it wasn't for the fact that he wrote 200 Malko episodes, had an amazingly long career with quite a legend behind him, the books would be just OK also-rans. Malko was never going to take over for James Bond, no matter how much de Villiers hoped his character would.
But you should still give de Villiers a chance. The Malko books are quite fun, and I'm about to dig into Chaos in Kabul and eagerly await Revenge of the Kremlin, coming later this year. I'm also going to start looking for the Pinnacle reprints and add those to the collection.
demand.
De Villiers' appearance in the U.S. back in the '70s reprinted around a dozen Malko books, which you can find used at a variety of high prices.
I hope there is a demand for more, because The Madmen of Benghazi, if the translation is true, shows de Villiers as a crisp writer, who plots tight and keeps the pace moving without a lot of description to slow you down. The scenes feel a little hollow because of that. It would be nice to know what kind of room two characters are talking in. You'll read that Malko enters an office to pow-wow with a CIA honcho, but that's about it. The rest of the scene is all dialogue. It works. The pages keep moving. De Villiers loved to throw in a lot of graphic sex that would certainly bring his books an XXX rating were they subject to the same scrutiny as films, but, after all, he is French. . . .
De Villiers is said to have had so many close contacts in the intelligence community that his books are full of inside information. I suppose that's true. Unless somebody points out those details, though, they fit so seamlessly into the narrative that it might as well be hyperbole. His book don't read any better than any American or British author; if it wasn't for the fact that he wrote 200 Malko episodes, had an amazingly long career with quite a legend behind him, the books would be just OK also-rans. Malko was never going to take over for James Bond, no matter how much de Villiers hoped his character would.
But you should still give de Villiers a chance. The Malko books are quite fun, and I'm about to dig into Chaos in Kabul and eagerly await Revenge of the Kremlin, coming later this year. I'm also going to start looking for the Pinnacle reprints and add those to the collection.
Subscribe to:
Posts (Atom)