I haven't mentioned this before because I wanted to make sure the book was actually accepted and printed, etc., but James Reasoner was kind enough to let me write an episode of the Blaze! Adult Western series that his Rough Edges publishing company releases on a more than regular basis.
J.D. and Kate Blaze are married gunfighters who roam the west getting into all kinds of trouble--usually for a fee. The series and characters were so similar to those in my Steve Dane series that I decided to ask for an audition. James and series creator Stephen Mertz helped work the kinks out of my original outline (I submitted something that would have gone 300 pages; they said I needed less than half of that). I proceeded with the project and now we have Blaze! #16: Copper Mountain Kill, which you can order on Amazon
From the publisher:
"The Copper Kings of Montana are at war—and Kate and J.D. Blaze are caught in the middle! Hired to get to the bottom of the sabotage and murder plaguing the mines, the Old West's only team of husband-and-wife gunfighters tackle crooked lawmen and a band of vicious outlaws known as the Lion Gang, only to find themselves trapped on a runaway train loaded with dynamite, a bomb on wheels that threatens to blow the Blazes sky-high!
Acclaimed thriller author Brian Drake (THE TERMINATION PROTOCOL) joins the Blaze! team with a novel packed with excitement and mile-a-minute action. COPPER MOUNTAIN KILL is Western adventure at its finest."
I set the novel in Butte, Montana, where my family is from, because there's western novel gold in that Big Sky Country, and I wanted to explore the possibilities of exploiting the location. I spent a lot of time there growing up, so the research was easy. The Copper Kings were in fierce competition for the copper in Butte's mountains and hills, and there was action aplenty (ask Dashiell Hammett) in the old days. It was the perfect setting for a powder-burning western.
Someday I'll write an essay on the long-term effects of that mining. Let's just say they raped the land and the mine is now an EPA Superfund site yet the government is either unable or unwilling to clean it up and instead just manages the damage. I'm torn being being angry about the environmental damage and grateful that the mine provided a livelihood for three generations of my family.
But anyway ....
If you're into westerns, you'll like the Blaze! series. J.D. and Kate were great characters to work with, and I hope I get a chance to send them on another adventure.
I named my site BrianDrake88 because, one time, I owned a 1988 Corvette. What will I do when I buy a 2019 Corvette? Read on for author interviews and other stuff....
Wednesday, April 26, 2017
Tuesday, April 25, 2017
Join my Street Team!
Hi, everybody. I've just signed up with Instafreebie to help build my street team and I hope you'll join me. You get a free download of Stiletto #1: The Termination Protocol in exchange for signing up. If you don't want to sign up yourself, maybe you know a voracious thriller reader who might, so please feel free to share this link far and wide.
https://www.instafreebie.com/free/AMPL2
A lot has been happening on the book front, both with my self-published work and the traditional contract I just signed, so I'll have more updates soon.
Thank you in advance!
https://www.instafreebie.com/free/AMPL2
A lot has been happening on the book front, both with my self-published work and the traditional contract I just signed, so I'll have more updates soon.
Thank you in advance!
Friday, March 31, 2017
Special Announcement
This morning I finalized a five-book deal with Liberty Island, a small press in New York, to bring out my Steve Dane thriller series in print, ebook, and audio editions. This officially makes me a "hybrid author", or one who has a traditional publisher, but also self-publishes. I will continue to self-pub other material (mainly my Stiletto series) while giving them exclusive rights to publish the three Dane books already out (after some revisions, and my editions will be removed from Amazon by the end of today) and the two that are written but haven't been electronically published, with an option on more should we wish to continue the effort. This is the result of months of back-and-forth, and it feels good to finally be done and moving forward.
Friday, March 17, 2017
Get Carter: The Original Brit Grit
Oh, man, Get Carter is a book I really, really wanted to like, but I really, really had a hard time with it.
I wondered why. Here we have one of the seminal works of 1970s crime fiction (originally entitled Jack's Return Home) that takes place in an industrial town in Britain. We have great local color, terrific descriptions of the hard life of the town, gritty descriptions of the criminal element that hides just beneath the surface, and a terrific anti-hero who returns to his hometown to right a wrong and doesn’t care if he has to blow away his old buddies to do it.
What was the problem? It took until the middle of the book for me to figure it out.
Too many imitations.
In the years since Get Carter, a gazillion writers took what Ted Lewis did and populated book shelves with so many copies that they ruined the original in the process. It took a long time for me to read Get Carter because it was out of print, but I knew all about it. I’d seen the movie, of course--loved it. I’d read all the praise about it--is there a bad review? Thanks to Soho Press and its recent reprint (they did all three Jack Carter books), with a fine introduction by Mike Hodges, who directed Michael Caine in the movie (the remake? fuhgeddaboutit!), I finally snagged a copy. Didn’t think twice. I was going to finally read this classic piece of crime fiction that had eluded me for so long, yet found it disappointing.
Once I realized what had happened, I took action. I went back to page one. I put out of my mind all of the copycats (even Spillane used the same plot and same general story devices in The Deep, though that book pre-dates Lewis) and started over.
And … wow. Anybody who writes or wants to write should memorize the opening chapter, which establishes such a sense of urban decay you wonder if Jack is taking a train into Hell.
All I can say is that Get Carter deserves its reputation, and going into too much of the book’s plot shouldn’t be what we focus on. What should be highlighted is the writing style of Lewis and the intensity of the place he creates. This isn’t swanky, swinging London he’s writing about. This is a town with industrial smokestacks scraping the sky. The pubs are dirty. The people in them are dirty. The streets are dirty. The gangsters fight dirty. There’s no trick shots or fancy gunfights. When guys get hit, they hurt. They spit blood. They got knocked down, and before they can get up, somebody grabs them by the hair and smashes their face into the muddy asphalt. You feel it, man. You feel every hit. You can taste the grit.
Get Carter isn’t so much a book about a man returning to the home he left behind to avenge his brother’s murder, even though it is. It’s more about a man coming to terms with his past, his mistakes, and how he has to live with those mistakes. Jack Carter is really avenging himself, his brother is just a cipher, a catalyst for Jack’s existence. He’s a tough man who once thought he had all the answers and soon discovers he doesn’t know the answers after all; in fact, he’s changed so much, become so soft, relying on his former reputation, the bad guys get the edge. And that gives us one of the biggest sucker-punch endings in crime fiction. It’ll make your eyes bleed, because you want Jack to win, and then you realize Jack is you. We all grow and change and sometimes we go back where we came from thinking we know everything and then life smacks us across the face with the fact that we don’t know anything at all. We just fooled ourselves into thinking we did.
That’s what the other guys missed. The imitators could do the action, sure, but they couldn’t get the feeling. They couldn’t put you in that place. That’s the wonder of the late Ted Lewis, who left us way too soon, and why Get Carter is so revered and deserves to be discovered by a new generation of crime readers. The best crime fiction teaches us about our world and a little about ourselves; Get Carter does that, and belongs among the best.
I wondered why. Here we have one of the seminal works of 1970s crime fiction (originally entitled Jack's Return Home) that takes place in an industrial town in Britain. We have great local color, terrific descriptions of the hard life of the town, gritty descriptions of the criminal element that hides just beneath the surface, and a terrific anti-hero who returns to his hometown to right a wrong and doesn’t care if he has to blow away his old buddies to do it.
| From Soho Press |
What was the problem? It took until the middle of the book for me to figure it out.
Too many imitations.
In the years since Get Carter, a gazillion writers took what Ted Lewis did and populated book shelves with so many copies that they ruined the original in the process. It took a long time for me to read Get Carter because it was out of print, but I knew all about it. I’d seen the movie, of course--loved it. I’d read all the praise about it--is there a bad review? Thanks to Soho Press and its recent reprint (they did all three Jack Carter books), with a fine introduction by Mike Hodges, who directed Michael Caine in the movie (the remake? fuhgeddaboutit!), I finally snagged a copy. Didn’t think twice. I was going to finally read this classic piece of crime fiction that had eluded me for so long, yet found it disappointing.
Once I realized what had happened, I took action. I went back to page one. I put out of my mind all of the copycats (even Spillane used the same plot and same general story devices in The Deep, though that book pre-dates Lewis) and started over.
And … wow. Anybody who writes or wants to write should memorize the opening chapter, which establishes such a sense of urban decay you wonder if Jack is taking a train into Hell.
| Go home, Stallone, you're drunk! |
All I can say is that Get Carter deserves its reputation, and going into too much of the book’s plot shouldn’t be what we focus on. What should be highlighted is the writing style of Lewis and the intensity of the place he creates. This isn’t swanky, swinging London he’s writing about. This is a town with industrial smokestacks scraping the sky. The pubs are dirty. The people in them are dirty. The streets are dirty. The gangsters fight dirty. There’s no trick shots or fancy gunfights. When guys get hit, they hurt. They spit blood. They got knocked down, and before they can get up, somebody grabs them by the hair and smashes their face into the muddy asphalt. You feel it, man. You feel every hit. You can taste the grit.
| Michael Caine IS Jack Carter |
Get Carter isn’t so much a book about a man returning to the home he left behind to avenge his brother’s murder, even though it is. It’s more about a man coming to terms with his past, his mistakes, and how he has to live with those mistakes. Jack Carter is really avenging himself, his brother is just a cipher, a catalyst for Jack’s existence. He’s a tough man who once thought he had all the answers and soon discovers he doesn’t know the answers after all; in fact, he’s changed so much, become so soft, relying on his former reputation, the bad guys get the edge. And that gives us one of the biggest sucker-punch endings in crime fiction. It’ll make your eyes bleed, because you want Jack to win, and then you realize Jack is you. We all grow and change and sometimes we go back where we came from thinking we know everything and then life smacks us across the face with the fact that we don’t know anything at all. We just fooled ourselves into thinking we did.
That’s what the other guys missed. The imitators could do the action, sure, but they couldn’t get the feeling. They couldn’t put you in that place. That’s the wonder of the late Ted Lewis, who left us way too soon, and why Get Carter is so revered and deserves to be discovered by a new generation of crime readers. The best crime fiction teaches us about our world and a little about ourselves; Get Carter does that, and belongs among the best.
Monday, March 6, 2017
Stiletto #1: The Termination Protocol
Some of you longtime readers may remember a couple of years ago when I did TPP as a stand-alone Stiletto story. Well, I decided to make some changes and use it as the start of a series when (a) I needed a break from The Rogue Gentleman but wasn't sure what to write and (b) a friend said he really like Stiletto and would like to see more. So a little updating here and there and we have a new version of an old book.
It's confusing, I know.
If you bought the old book and don't want to buy it again, email me using the form on the left side of the page. You'll have to answer some questions about the old version, though, before I send you the new one, but I'm happy to send it along as a thank-you for your past support.
Tuesday, February 7, 2017
Andrew Warren Returns with RED PHOENIX
It's my pleasure to bring back Andrew Warren, who has been doing a bang-up job of bringing the action and thrills with his Thomas Caine books, the latest of which, RED PHOENIX, is out today. I invited him back for a follow-up after our last chat.
Brian Drake: Tell us about the new Thomas Caine
adventure.
Andrew Warren: Thanks for having me back Brian! In Red
Phoenix, we learn a little bit more about
Thomas Caine’s enigmatic past, and the mission that got his partner
killed. Flash forward a few years, and
Tom is still on the hunt for the corrupt CIA Director who betrayed him. When he finally catches up to his prey, he
discovers that his partner’s son, now a young man named Sean, is being held in
China on espionage charges.
Caine must make a choice: Does he pursue the man who betrayed him, and
finally take his revenge? Or will he
abandon his hunt, and travel to Beijing to save Sean from a deadly web of conspiracies
and killers? He is forced to confront
the anger and rage that drives him, and begins to questions himself, and his
motives. He has the opportunity to kill
the man who ruined his life, but at what cost?
Along the way, Caine must also deal with
a double agent in the Chinese Ministry of State Security, who has their own
reasons for wanting Sean dead, as well as a triad gangster with some
deep-seated rage and anger issues of his own!
It’s a stand-alone spy thriller, and it
definitely tells its own complete story.
But if you’ve read Devil’s
Due and Tokyo
Black, there are plenty of callbacks, character
developments, and Easter eggs that will bring a smile to your face.
BD: After three books under your belt,
what have you learned about yourself as a writer?
AW: Honestly, I still have a hard time
thinking of myself as an author. The
first two books have done well, but sometimes I have a hard time trusting my
instincts and abilities. There was one
scene in the new book, I won’t say which one… I don’t know why, but for some
reason, I was convinced that there was no way I could pull it off, and do the
scene justice. I was terrified to write
this scene! I kept putting it off, and
putting it off, and it ended up being the very last thing I wrote in the first
draft. And now, it’s actually one of my
favorite scenes in the book! So I think
I’m still learning to trust myself, and just dive in and give things a shot –
if they don’t work out, I know I can always change it later.
BD: What has reader reaction been like?
AW: Man, I have to say, I love my
readers. They are awesome. Their reaction has been so positive and supportive;
it’s surpassed my wildest dreams. After Tokyo
Black launched, one reader emailed me and
said that she was a world traveler, but had never been to Japan. After she finished my book, she began planning
a trip to Tokyo. That meant so much to
me. As I mentioned in my last interview, after I visited Japan, I felt a
special connection to the place. It was
so important to me to convey that excitement and fascination I felt to my
readers. When I got that email, I knew
that at least for that one person, I had succeeded.
I was also contacted by fifteen-year old
girl in India who loved Devil’s Due! She
said she admired Naiyana, the female lead, because she was strong, brave, and
she did not abandon Caine in his time of need.
Of course I was incredibly proud and touched, but I was also a bit
concerned. I certainly did not intend
for that character to be a role model for teenage girls! But I remember being that age, and getting
pleasantly lost in books that I loved.
The idea that I could have that kind of affect on someone so different
from me, so far away… it’s incredible, isn’t it?
I’ve had a few advance reviews come in
for Red
Phoenix recently, and for the most part, they’ve
been incredibly positive as well. I am
very grateful, and lucky, to have such a good connection with my readers. Hearing from them always makes my day!
BD: Are you able to find a balance
between writing and marketing? If so, how? If not, how are you
trying to do that?
AW: Marketing seems to be an area that many
authors struggle with, and I am certainly no exception. I’ve run some Facebook ads, and I run a promo
from time to time, but I could definitely focus on this more.
A lot of my readers have found me
through groups on Goodreads, and I am making an effort to be more involved
there, and not just to promote my own books.
Some of my most rewarding experiences in self-publishing have come from
talking with other authors like yourself, sharing tips and ideas, and helping
each other out. A rising tide lifts all
ships, as they say!
But overall, I do believe that the
single most important thing I can do is to write more books for readers to enjoy. So while I do plan to increase my marketing
efforts, I still want to focus most of my energy into creating more exciting stories.
BD: Have you started pricing Ferraris?
If so, are you going hybrid or traditional?
AW: I’d rather price the black GTR from Tokyo
Black!
But seriously, I’m a long way from that.
I look at being a self-published author as running a small
business. The first year was just seeing
if things could be profitable, and they were.
Now, it’s time to see if I can scale, and grow. Write more books, explore some more genres…
but for now I’m not even pricing Toyota Corollas!
I have nothing against working with a
major publisher, but I see no reason not to go hybrid, and keep self-publishing
things on my own as well. Why give up
ownership of something I created if I don’t have to? Even if someone swooped in and handed me a
mountain of cash for the rights to one character or series, why not create
something new on my own?
Self-publishing is an incredible
opportunity for authors. The technology
we have at our disposal is mind blowing when you compare it to the traditional
publishing business. We can press a
button and reach hundreds of thousands of readers instantly. Why would we ever give that up?
BD: Will we get more Caine adventures in
the future, or are you looking to try another character or even another genre
next?
AW: The short answer is “Yes!” It’s funny – the whole time I was writing Red
Phoenix, I kept telling myself, “I can’t wait
to finish this book so I can try something different, something like sci-fi or
fantasy.” But then, as soon as I finished,
I began getting more ideas for new Caine books.
Either way, Thomas Caine will return… it
says so right at the end of the book!
But I would also like to try my hand at some other genres as well. I’ve had some ideas bubbling for a sci-fi
space opera series. But as long as Caine
keeps whispering in my ear, I’m happy to keep having adventures with him across
the world.
Thanks again for having me on your site
Brian! I really appreciate it, and I
hope your readers enjoy hearing about the Thomas Caine series.
Red
Phoenix launches on Amazon Feb 7th. You can also check out Devil’s
Due, and Tokyo
Black, out now! If you want to know more about my books and
what I’m working on, you can visit my website at www.andrewwarrenbooks.com. You can also drop me a line on Facebook:
@andrewarrenbooks, or Twitter: @aawarren71.
And if anyone has any questions about
Thomas Caine, self-publishing, or writing in general, please don’t hesitate to
contact me… I’ll do my best to answer!
Monday, February 6, 2017
Free Scott Stiletto Preview
We're about a month away from the official launch of my new Stiletto series and I wanted to give you a sneak-peak.
Basically what I'd like to do is build a "street team" of readers who can leave some Amazon reviews on launch day or a few days after, or, worse case, tell this emperor that he has no clothes before he makes a fool of himself. I'm thinking the second week of March would be a good time to release the book unless you tell me it would be better to delete the damn thing.
I've set up a download page at Book Funnel for free downloads of Stiletto #1: The Termination Protocol. If you'd like to read it, please email me at briandrake88 at yahoo dot com and I'll provide you with a link.
Those of you who read an earlier version of this book in 2014 will for sure want the free download because I don't want you to buy it twice. There have been extensive revisions to make this the start of a series, so it's not entirely the same book.
Here's the description:
Basically what I'd like to do is build a "street team" of readers who can leave some Amazon reviews on launch day or a few days after, or, worse case, tell this emperor that he has no clothes before he makes a fool of himself. I'm thinking the second week of March would be a good time to release the book unless you tell me it would be better to delete the damn thing.
I've set up a download page at Book Funnel for free downloads of Stiletto #1: The Termination Protocol. If you'd like to read it, please email me at briandrake88 at yahoo dot com and I'll provide you with a link.
Those of you who read an earlier version of this book in 2014 will for sure want the free download because I don't want you to buy it twice. There have been extensive revisions to make this the start of a series, so it's not entirely the same book.
Here's the description:
The Termination Protocol

A deadly nerve agent . . . one man standing between peace and Armageddon . . .
CIA agent Scott Stiletto is one of the best. When a derivative of sarin gas thought destroyed shows up on the open market, Scott races to keep the chemical weapon out of enemy hands. The Agency's only lead is a terrorist named Liam Miller, and Stiletto plans a simple snatch-and-grab that quickly lands Miller in U.S. custody. The rendition soon turns into disaster.
Another terrorist group snatches Miller in a blinding fast raid that leaves four agents dead and Stiletto wounded. Worse, the new players—calling themselves the New World Revolutionary Front—are the ones planning to buy the sarin. They use Miller to plant a false trail for the CIA to follow while their deadly plan comes to fruition.
The NWRF doesn't count on Miller having a few tricks up his sleeve, or Stiletto's relentless determination to complete his mission. And once Miller gets away and the two team-up to fight their common enemy, the NWRF faces the wrath of two men who are deadlier together than they are separately.
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